A coming-of-age story about two adolescents facing racism in their adopted families, while confronting a society where immigration has become a divisive issue.

　　克里斯蒂安，一个年轻的外科医生，一个致力于自己职业的理想主义者，在布加勒斯特的一家医院工作。一天，他的一位手术成功的病人意外死亡，这让他非常困惑和苦恼。于是他开始调查，得到了一个令人震惊的发现。

　　鸽子能认路回家，也有鸽子一去不返。脚环编号043的赛鸽七年前因比赛失踪，如今突然出现，勾起养鸽人家的伤痛记忆。脾气暴躁的职业赛鸽人阿钦师（游安顺 饰）沉迷赛鸽，儿子出门上学再没回来，失踪七年可申请宣告死亡，他却与妻子阿敏（杨丽音 饰）闹分歧。他们的女儿露露（李梦苡桦 饰）进入青春反叛期，只觉自己的家就是鸟笼。流浪少年小虎（胡智强 饰）闯进这一家，将要目睹一场风暴来临。新锐导演詹京霖以赛鸽喻人生，凝视社会底层，在写实之中加入魔幻时刻，揭示一个父权家庭分崩离析的过程。获得金马奖最佳剧情片。

　　“金子”是个十来岁的女孩，大部分时间她都在照料母亲露丝。露丝曾是个隐君子，尽管现在戒掉了，但是几乎没有能力照顾自己，更不用说养家糊口。于是这个家庭重担落在了“金子“身上。但是，另一方面“金子”也要兼顾自己的学业，否则她的前途将失去方向。她将如何在两者间作出选择呢？
　　2004年戛纳电影节“金摄影机”奖与电影评论周最佳影片
　　以色列女導演凱倫葉達雅的長片處女作，在坎城影展一鳴驚人奪下金攝影機獎等五項大獎。16歲少女歐兒一肩扛起養家重任，面對母親放浪成性的墮落人生，她陷在悲涼的生命泥淖中難以自救，連想要展開一段純純戀曲，也被消磨掉失去所有的可能。寫實而殘酷的大城小事，結局震撼人心；影像成熟洗練，整體成績遠遠超越對一般新銳導演的保守預期。

　　德高望重的导猎员Ernesto本应跟新组织的家庭在巴塔哥尼亚过着美好的生活，可是在前妻离世后，他迫于无奈收留多年不见的儿子Nahuel。基于旧日往事，Ernesto面对脾气暴躁的儿子显得有点手足无措。二人关系更因Nahuel不被新家庭所接纳而变得恶劣。父子俩终归能否放下成见，透过一起打猎时的相处时光来重新认识对方?

　　安东尼亚与荷西两个男人阶级迥异却友情暧昧，长大后富家子安东尼亚娶下荷西的青梅竹马女友，再搭上其狂野情人作入室情妇，妒忌、怒火、博爱、义气、狂情，七情六欲共处一室，圣女娇妻道尽感情的争辩令人折服，妓女情妇也懂得最知性的语言教人称奇。导演超过九十年人生智慧的结晶，在波图优美景致与连绵小提琴的轻扬下，交织出一首最具葡萄牙地道性格的爱恋乐章。

　　暴风雪夜，护林员桑杰（金巴 饰）的小屋突然闯进了一位自称是森林公安的持枪男子（王铮 饰），埋伏并抓捕了疑似盗猎接头人的村民根宝（更旦 饰），惊魂未定间，又一位男子（达杰丁增 饰）持枪闯入，声称他才是真的森林公安……
　　是谁开了枪？谁又在说谎？这场荒野逃杀还暗藏哪些秘密？真相扑朔迷离，一时杀机四起，而屋外始终有一双眼睛在冰冷地注视着这一切……
　　影片改编自藏族作家江洋才让的同名短篇小说。

　　在他的妻子试图自杀后，身为临时工的尼古拉的两个孩子也被迫离开他，并交由养父母抚养。一开始，这只是一项临时安排，然而在对尼古拉的住房条件进行评估后，塞尔维亚小村庄的社会福利办公室主任认为尼古拉太穷，无法为他的子女提供良好的生活环境。寡言少语的尼古拉决定向贝尔格莱德社会事务部提出申诉，并且决定步行300公里到达首都，向当局展现他愿意为他的孩子们付出巨大努力的决心。导演戈卢博维奇通过展现真实、动人的影像告诉观众这个不平等的故事。主人公尼古拉不仅用自己平和且坚韧的性格丈量了这个国家，也探索了是非之间的界限。这位顽强的父亲决心不向绝望屈服，踏上了一段重新定义“英雄”一词的英雄之旅。

　　一张新公寓的平面图，两天的搬家进出，莉莎即将告别与玛拉同住的日子，所有的亲密与角力、回忆与张望，都在这狭小的空间中幽微地拉扯著。各方好友、家人、工人、邻居或小狗逐一现身，通通汇集到搬家现场，但每一次的错身或交谈，都有着不寻常的气息及欲望在狭缝里流动。有些家俱将被带走，有些记忆会被留下，莉莎、玛拉与这群好友之间的互动和情谊，都随着不时响起的华尔滋舞曲，在一进一退之间，谱写出充满焦虑、嫉妒、暧昧、孤独交织的浪漫小节。

　　A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

1999年，技艺精湛的珠宝设计师，启程前往纽约展出他最新的作品。启程前他回到故乡探访，此行唤起了他25年前的夏日恋曲，回忆起年少时邂逅了对他影响深远的40岁的女裁缝师。两人之间横跨二十岁年龄差距的姊弟恋，让这段恋情注定是场无果的爱情悲剧。他决心改变命运，试图重写他的人生故事，却意外发现一个惊人的秘密。他的爱能超越时间的界限，还是终将永远被埋没？

　　一名针对小女孩作案的连环杀手（Peter Lorre 饰）出没，城中人心惶惶。警察全体出动，频繁突击检查。黑帮首领（Gustaf Gründgens 饰）因生意受到严重影响，决定利用乞丐的隐蔽性布下天罗地网。卖气球的盲丐（Georg John 饰）通过《在妖王宫中》的口哨声辨出了杀手，他的同伙（Carl Balhaus 饰）趁机将“Mörder”的首字母“M”标记在其背上。虽然警方锁定了杀手的住处，但杀手被乞丐围困于商业大厦，成了瓮中之鳖。深夜，在黑帮私设的法庭上，杀手会为自己作出怎样的辩护？

Czech actor-turned-director Jiří Mádl has wrapped shooting on his third fiction feature, Waves, which centres on the turbulent period of the Warsaw Pact invasion, a seminal moment in modern Czechoslovak history. The period drama is inspired by real-life correspondents from the Czechoslovak Radio International Bureau during the late 1960s. The film, set against the tumultuous backdrop of the Prague Spring and the 1968 invasion, tells the story of two brothers navigating the challenges of the period. The protagonists are Tomáš and his younger sibling, who find themselves in the midst of the 1968 May Day Parade outside the Czech Radio building, where the film crew has been shooting some scenes. The foreign radio department was known for independent news reporting despite the prevalent censorship. However, the blossoming of the communist regime will soon be abruptly halted by the Warsaw Pact tanks.

　　Based on true events that happened in Singapore in April 1958. The studio workers of Shaw Brothers are on strike for better pay and to support workers who have been sacked, they organised a variety show to collect funds and donations. During the show, Malaysian film legend P Ramlee and his best friend Jamil Sulong wrote an iconic Raya song (Festival song) that is still sung today during the Raya Festival of Eid every year. Four other stories and sub-plots help the movie move forward.

　　委内瑞拉的蒂亚戈和西班牙的艾琳娜是一对情侣，两人打算从西班牙移民美国，不料入境之时一场噩梦降临。委内瑞拉导演亚历杭德罗·罗哈斯和胡安·塞巴斯蒂安·巴斯克斯共同编导的处女作，取材于他们的真实移民经历。影片将故事主要发生地安排在机场入境处的地下审讯室，以明丽凝练的叙事节奏直奔主题，利用幽闭的空间，逐层撕开这对恩爱情侣各自的秘密，将爱情推向了十字路口。该片通过一系列复杂荒谬的审讯问题，戏谑探讨移民涉及的种族歧视、权力滥用等种种社会现象本质。荣获2022年塔林黑夜电影节费比西影评人奖最佳影片奖。

　　一名男子前往拜拉瓦科纳的世界寻找一些迫切需要的答案，但似乎没有出路。

　　生活在儿童之家的露，与突然到访的母亲共同踏上了前往波兰外祖母家的旅程，久未谋面的母女将如何度过这段时光？这是一部充满反叛精神的女性公路电影，由荷兰导演扎拉·德温格自编自导，她不仅在主题上解构了传统观念中的母女关系，还在主线故事中跳跃式地剪入大量经典黑白电影与卡通片段，营造出诙谐顽皮的游戏感。片中不少镜头场景致敬了观众耳熟能详的经典好莱坞公路片，能让几代影迷会心一笑。入围2023年柏林国际电影节新生代儿童单元。

恩格斯一家在同一屋檐下过着各自舒适的生活，直到神秘的法拉进入他们的生活。法拉是他们新聘请的女管家，刚从叙利亚来到柏林，她以意想不到的方式挑战了家中的每一个人。

On a steamy summer night at the Greek seaside, full of music and dancing, a sudden mist descends. Strange creatures start to plague the city, attacking people and drawing others into the sea with horrific dreams. A group of musicians join forces with a lost sailor in search of his wayward father to fight back against the otherworldly invaders. Starring: Davide Tucci, Daphne Alexander, Apollon Bollas, Nicolas Bravos, Stelios Dimopoulos, Maria-Nefeli Douka, Meletis Georgiadis, Igor Gorewicz, Ioannis Hajiyannis, Eleftheria Komi, Christos Kontogeorgis, Makis Papadimitratos, Efi Papatheodorou, Constantin Symsiris, Yannis Zouganelis, Christos Callow, Antonis Tsiotsiopoulos, Thanos Alexiou.

　　The action of the film takes place in 1943. The title character is a cosmopolitan and incapable of deeper feelings seducer. In Poland, he lost his entire family. Alone - being in the heart of Nazi Germany - he hides his Jewish origins and often eludes death. He works as a waiter in the restaurant of an exclusive hotel and carelessly enjoys all the charms of life surrounded by luxury, beautiful women and friends from all over Europe. However, when the war begins to take a bloody toll on those closest to him, the intricately built world that surrounds him crumbles like a house of cards.

　　破敗的上流舊邸中，年華老去的變裝皇后一針一線地繡著寂寞。一個動盪的夜裡，年輕帥氣的革命份子卡洛斯走進她的世界，頹圮的人生再次有了綺念。為了維繫關係，她讓卡洛斯在家裡堆放不明紙箱、進行祕密聚會，明知這段忘年曖昧希望渺茫，但為了珍稀的愛，她無悔無憾。隨著同在暗處的兩人越走越近，一場風暴也漸漸成形，這段戀情及國家的未來，都將因此翻天覆地⋯⋯。
　　改編自拉美同運先驅萊梅貝爾的同名小說，以復古濃郁色調描繪智利風聲鶴唳的獨裁年代。同被打壓的性少數和政治少數，在歷史的十字路口談起沒有明天的戀愛。智利影帝卡斯特羅繼《愛獄王子》後再次挑戰酷兒題材，破天荒化身變裝皇后大談老少戀。不僅藉著眼神巧妙演繹出主角的不安與盼望，更精準平衡了風塵跨性女子的浪漫與滄桑。本片入圍2020年威尼斯電影節威尼斯日單元。

Helen's mundane life at the chicken factory takes an unexpected turn with Joanne's return. They were each other's secret teenage passion. As they fall in love, Helen's zest for life returns but Joanne faces something darker from her past.
　　Pugh’s musical drama takes off in a chicken factory in industrial north Wales, set to songs from the 1960s and 70s. The debut feature follows a woman stuck in a rut, played by Louise Brealey. Annabel Scholey, Sorcha Cusack, Celyn Jones and Emily Fairn also star. Anne Beresford and Andrew Gillman are producing through Artemisia Films, alongside Adam Partridge of Delta Pictures and Peggy Cafferty of Play House Studios. It is funded by the BFI and Ffilm Cymru Wales, both awarding National Lottery funding, and BBC Film.

　　12岁的男孩杰山是个跑步天才，但是他生活不如意，他在学校里被老师和同学孤立，他的父母离婚，而他只能与终日醉酒的父亲一起生活，小小的肩膀过早的承担了照顾家人的重担，唯一热切盼望的就是拿到学校跑步竞赛的冠军，为了这个目标，他一路奔跑，直到精疲力尽。电影朴实而真诚地描绘了吉尔吉斯斯坦少年的成长困境，令人唏嘘。

Simon arrives in Lund full of anticipation and ready for his life to really begin but is quickly disappointed by law school. During a violent protest march he meets the anarchistic young woman Max and falls in love. She dazzles him with a world of excess, lies and huge risks and when he realizes the damage that's done, it's already too late to escape